Most accompanists will explore the underlying characteristics of different music genres, traditions and styles and often have to reach out to resources from various corners of the world to better understand a particular musical pedagogy.
#Find an accompanist professional
Skype (owned by Microsoft) has been around the longest and it is still a great choice for professional accompanists.Īpril Alsup discusses Scottish Cèilidh Music with Sandy Brechin from Edinburgh Scotland
We've learned that the terminology and functionality of teleconferencing products is really the same and there are lots of tools to choose from Zoom, Google Meet and Skype are probably the most widely known though. It's always intimidating to embrace new technology at first, but over time it's become hard to ignore the new paradigm. A simple Google search on the phrase "Bandoneon instructor in Rio de Janeiro" or "Irish tin whistle teacher in Dublin" will give you pages of real contacts who are hungry to help you learn their craft. You don't have to have a PayPal account to shop.Reaching expert accompanists of different music genres, styles and traditions has become so much easier over the last 25 years. We make downloadable MP3 accompaniment tracks for singers. Mozart: Voi Che Sapete See all staff picks Schubert: Ave Maria Brahms: An die Nachtigall Īrias | Choral | Kunstlieder | Operetta | SATB | Art Song | Christmas | Lieder | Oratorio | Solos | Ballads | Duets | Mélodies | Parlour Songs | Traditional | Carols | Folk Song | Modern Art Song | Recitative | Unison | Chansons | Hymns | Opera | Sacred | Young Voices The quality of the musicianship and sensitivity of the performances means that the accompaniments make great listening, even for those who don't sing. Our DRM-free MP3 files are suitable for iPods and other MP3 playing devices, and can be burnt to CD. We cover a wide range of singing styles: classical to traditional lullabies to lieder operetta to art song nursery rhymes to shanties and sea songs oratorio to music hall. Whatever kind of singing you enjoy, alone or with others, you'll find songs for you in our catalogue. There's A Long Long Trail A'Winding (later US version + March)Įlliot Zo A Flat | America | 20th Century | Romantic | Popular Song | WW1 Song | Unison | Solo | intro v ch ch v ch ch marchīridge Frank D Flat | England | 20th Century | Modern | Modern Art-song | Kunstlieder | Art-song | Solo | H.71 | Matthew ArnoldĠ1 Dido's Lament (When I Am Laid In Earth)Ġ5 Ave Maria (Meditation on Prelude by Bach)Ġ6 Rusalka's Song To The Moon (MÄ›sÃÄku Na Nebi )ġ0 O Holy Night (Minuit Chrétiens)(2vv)(soprano or tenor)ġ2 L'Amour Est Un Oiseau Rebelle (Habanera) There's A Long Long Trail A'Winding (later US version)Įlliot Zo A Flat | America | 20th Century | Romantic | Popular Song | WW1 Song | Unison | Solo | Intro v ch ch v ch ch Mozart also Muller F | England | 19th Century | Sacred | Hymn | Unison | Solos | Frances Ridley Havergalĭring Madeleine D | England | 20th Century | Modern | Modern Art-song | Kunstlieder | Five Betjeman Songs | No.3 | John Betjeman Nottingham (Take My Life And Let It Be)(6vv)Īttrib.
Thiman Eric G Flat | England | 20th Century | Modern | Modern Art-song | Kunstlieder | Christmas | Solo | Irene Gass Ten Biblical Songs - 04 - Gott Ist Mein Hirt (low)ĭvorak B | Bohemia (Czech Rep.) | 19th Century | Romantic | Lieder | Kunstlieder | Biblické Písně | Sacred | Bible of Kralice | Op.99 | No.4 Ten Biblical Songs-05-Herr Nun Sing Ich Dir Ein Neues Lied (low)ĭvorak A Flat | Bohemia (Czech Rep.) | 19th Century | Romantic | Lieder | Kunstlieder | Biblické PÃsnÄ› | Sacred | Bible of Kralice | Op.99 | No.5 Hensel Fanny F | Germany | 19th Century | Romantic | Lieder | Kunstlieder | Art-song | Sechs Lieder | Op.7 | No.1 | Eichendorffĭenza Luigi F | Italy | 19th Century | Romantic | Art-song | Popular Song | Solos | Tremacoldoĭenza Luigi A | Italy | 19th Century | Romantic | Art-song | Popular Song | Solos | Tremacoldoĭenza Luigi G | Italy | 19th Century | Romantic | Art-song | Popular Song | Solos | Tremacoldo Purcell C Minor | England | 17th Century | Baroque | Aria | Opera | Act 3 | No.20 | Masque | The Frost Scene | Bass
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